This book offers broad-gauged analyses of the causes, nature, and changing patterns of armed conflict in Africa as well as the reasons for these patterns. It also situates conflicts that have been haunting the African continent since the time of decolonization within the various theoretical schools such as “new war,” “economic war,” “neo-patrimonial,” and “globalization.” It begins with the premise that conflict constitutes one of the major impediments to Africa’s socio-economic development and has made the continent’s future looks relatively bleak.

Drawing on a distinguished 40-year university career, Allen Thiher probes the subjects that serve as a basis for higher education in the twenty-first century. Addressing the general reader as well as the scholar, he argues that all the best about contemporary culture springs directly from the unfettered rationalism of the Enlightenment. Provocatively, Thiher argues that today’s education system is failing to produce students with the enlightened sensibilities they need to lead good and ethical lives and instead focuses on short-term utilitarian aims.

This pioneering translation of Plato’s Phaedrus, with detailed summary and full philological and exegetical notes taking into consideration all commentaries since Hermias, followed by a painstaking dialogical analysis of the text that shows what we must think at every moment in order to understand the thinking that brings the Greek text to life.

In volume, an emerging generation of African scholars examines specific states in Africa where instability is the order of the day. Considerations of African instability are highly relevant in today’s world, where one examines the types of regimes that were put in place after the Cold War and their effects on Africa.

The Role of Customs in International Treaties concentrates on issues of friction between member states of the United Nations. In view of the role played by the United Nations in resolving international disputes, Dimitris Liakopoulos hypothesizes that "practical guides" based on custom often catalyze the positions taken by states, courts, scholars, and other actors, constituting an "orthodox" position against which formulaic legal opposition will become predictably more difficult.

The story of Rome and its people draws on ancient legends passed down from generation to generation. Circulating throughout the Mediterranean world in the centuries after Rome’s legendary founding, they were later enshrined in the words of the poets and historians of the great Augustan age and have been studied ever since.

Football as Literature adopts semiotics as a framework to compare football (soccer) to literature. The football field is akin to the plot or stage in narrative or dramatic modes, respectively, and the players are viewed as characters whose metamorphoses, in the text of football, are occasioned from the label of their positions to the completeness of the plot by the kinetic power of the ball. In employing this commentary, a standard football match is seen as a representation of the active text. Particularly, without commentary football unfolds as an unspoken semiotic narrative.

Presented by Russian author and attorney Ilya Milyukov, Chronicles of the First and Second Chechen War presents the main events of the First (1994-1996) and Second (1999-2009) Wars in Chechnya, Russia’s deadliest conflicts since World War II.

In this provocative new book, Shritha Vasudevan argues that feminist international relations (IR) theory has inadvertently resulted in a biased worldview, the very opposite of what feminist IR set out to try to rectify. This book contests theoretical presumptions of Western feminist IR and attempts to reformulate it in contexts of non-Western cultures. Vasudevan deftly utilizes the theoretical constructs of IR to explore the ramifications for India.

Willem de Kooning’s six numbered Woman paintings have incited a maelstrom of critical controversy. At their debut in 1953, the critics were incensed by the ugliness of the images themselves and by the inclusion of vestiges of the figure in abstraction. Consequently, they questioned de Kooning’s attitude toward women and commitment to the Abstract Expressionist project.