This book examines the relationship between suburban lifestyle and gender construction in the American cinema of the 1970s. Inspired by the work of scholars such as historian Bruce Schulman, and film critics Peter Lev and Thomas Elsaesser, this book argues for a reassessment of two classic films that perfectly conveyed the anti-suburban stance characterizing what is now considered a pivotal decade in American cinema.

This scholarly monograph offers a fresh look at modern experimental poetry in Spanish, Portuguese and French produced in Latin America. The work uses a variety of interdisciplinary approaches to examine how these experimental poetic forms can be best interpreted and understood through a performative lens. Examined structures and textures inherent in these performed works vary: they include paintings, typographical art, optophonetic (visual representations of sounds) techniques, and music, to name only a few examples.

It is widely accepted that documents on Ottoman architects are rare and that little is known about the architectural practice in the Ottoman world. A group of texts that have appeared between sixteenth and eighteenth centuries, however, form an exception to this general assumption. While these texts have been cited and referred to in diverse previous studies on Ottoman architecture, they have not been the topic of a major interpretative approach before.

Drawing on the work of Levi-Strauss, Malinowski, Dumezil, Van Gennep, Eliade and many others, Dr. Marsland proposes a dual/triune structure to early religion--a structure which appears to be worldwide.

ART MATTERS is a clear and comprehensive overview of art criticism as it relates to both the value of art and the aesthetics of art. The author offers a new perspective on how science, philosophy and art overlap each other, the author argues that art can give us knowledge of our world and our place in it the same way that science or philosophy do (per se Deleuze or Kristeva).