The aim of this work is to focus on the non-dramatic works of the early period of modernism in England with an emphasis on the origins and development of key writers and poets. Other such studies date to the mid1980s (Michael Levenson, Sanford Schwartz, Stan Smith, e.g.) and tend to lean heavily toward intellectual history or poetics.

This research monograph discusses the understudied and often misunderstood aspects of West African culture and religion especially that of the Yoruba people and their Book of Enlightenment (Ife-Ifa) together with its metaphysical importance to the Yoruba as a source of philosophy, religion and literature.

Drawing on the work of Levi-Strauss, Malinowski, Dumezil, Van Gennep, Eliade and many others, Dr. Marsland proposes a dual/triune structure to early religion--a structure which appears to be worldwide.

This work is, in the words of Dr Norman Freed, a “rich picture of an empty landscape, the depression that is to be engaged to maximally avoid it and its ramifications.” This work explores the philosophical aspects of the plague of depression found throughout the modern world.

Anarchism stands as one of the the most vital social movements of the twentieth century. Yet the lack, and growing, contemporary movement remain obscured. Lost in recent accounts are the creative and constructive practices undertaken daily by anarchist organizers seeking a world free from violence, oppression and exploitation.

This research monograph studies and reinterprets the works and ideas of Richard Wagner that have had such a profound influence on the artistic and intellectual life of France. His Romanticism influenced the French symbolists so greatly that they named their major journal La Revue Wagnerians. His musical themes, dramatic structures and philosophical tropes recurred in the works of almost every major French composer before World war One. Massenet was so devoted that he earned the sobriquet "Madamoiselle Wagner".

ART MATTERS is a clear and comprehensive overview of art criticism as it relates to both the value of art and the aesthetics of art. The author offers a new perspective on how science, philosophy and art overlap each other, the author argues that art can give us knowledge of our world and our place in it the same way that science or philosophy do (per se Deleuze or Kristeva).